J.S. ABSHER
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Strange Arts & Visual Delights

A Blog

Quick Notes (1)

5/17/2022

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"Virtually every sentence that contains the word 'brand' is bullshit...."--Cory Doctorow, "The Memex Method" (https://doctorow.medium.com/the-memex-method-238c71f2b46). This post prompted me to consider what I was reading and thinking about 10 years ago. 

Some notes in my commonplace book from May 2012:

- "History is Terror."--Mirceade Eliade
- "If you close your eyes / close them truly / and open yourself."--Radovan Ivsic, from "Mavena" [a Croatian writer; I don't recall where I read this]
- "The night goes back and forth inside the night / And the night holds its breath."--Randall Jarrell
- "Clausewitz, discussing hate as the necessary fuel of war, says it is always on supply, since foes undergo a Wechselwirkung, a back-and-forth remaking of each other, one hostile act prompting a response even more violent, in a continual ratcheting up."--"America's Nastiest Blood Feud," review of volume 4 of Robert Caro's biography of Lyndon Johnson, The Passage of Power (http://www.nybooks.com/articles/archives/2012/may/24/americas-nastiest-blood-feud/)
- "When the great lord passes, the wise peasant bows low and silently farts."--Ethiopian proverb
- "Haiku . . . evoke the most world with the least language,"--Andrew Porter, Living in Spin
-
Issa's haiku [probably translated by Robert Hass]--"no talent / and no sin / a winter's day"--reminds me of lines from Yeats: "If little planned is little sinned / But little need the grave distress."
- Inspired by Issa:
crow in the white oak
eyeing the empty field
as if he owned it 
Addendum
The poem is what has neither name, nor rest, nor place, nor dwelling: a fissure moving towards the work.--Jacques Garelli

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Wittgenstein and “Count Eberhard’s Hawthorn”

5/1/2022

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Picture





​Portrait on Wittgenstein's being awarded a scholarship from Trinity College, 1929. Clara Sjögren - Ludwig Wittgenstein: The Duty of Genius by Ray Monk.  https://en.wikipedia.org/wiki/Ludwig_Wittgenstein#/media/File:35._Portrait_of_Wittgenstein.jpg. Public domain.

​Somewhere—probably in Ray Monk’s biography—I’ve read of the value the philosopher Wittgenstein placed on a poem by Ludwig Uhland (1787-1862), “Graf Ebenhards Weißdorn.” In that poem, Wittgenstein claimed the unsayable was “contained in what has been uttered” (qtd. in Tilghman, Wittgenstein, Ethics, and Aesthetics, 64).

When positivists of the Vienna Circle “met with Wittgenstein at times expecting elucidations on the nature of logic… instead [they] received defenses of religion or listened to Wittgenstein recite and discuss poetry” (Tilghman 18; Martin Pulido, "The Place of Saying and Showing in Wittgenstein's Tractatus," Aporia 19:2, 2009, 25).

Here's my rendition of Uhland’s poem. I wrote it several years with the help of Google Translate and other translations posted on the web; I no longer recall the sources. At the time, I was puzzled by what Wittgenstein claimed to have seen in the poem, but now I think I understand a little. In Christian legend, Christ’s crown of thorns was sometimes said to be from a hawthorn.  I do not know whether Wittgenstein associated the sprig in the count’s helmet with the crown of thorns, but it seems possible.

Please send comments to jsabsherphd@gmail.com.

Count Eberhard’s Hawthorn
by Ludwig Uhland (1787-1862)

Count Eberhard the Beard
From Wurttemberg’s domain
On a pious journey fared
To the shores of Palestine.

One day as he was riding
A woodland path in spring
From a hawthorn bush
He took a little cutting.

In his iron helmet
He placed the hawthorn spray;
He carried it off to war
Over the flowing sea.

And when he was back home
He set it in the earth,
And soon the leaves and buds
Into life were stirred.

The count, faithful and true,
Each year came to the sprig;
He was filled with joy
To see it grow so big.

The count shrank with age,
The sprig became a tree.
Beneath it the old man sat
In deepest reverie.

Its high-arching limbs,
Its whisper in his ear
Remind him of the past
And of the distant shore.
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